Time (one week)

Time (one week)

Release date : January 1, 1991
Runtime : 10m
Countries of origin :
Original Language : No Language /
Director : Milena Gierke /
Writers :
Production companies :
January 1, 1991 10m No Language More
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"One week captured in time-lapse. Approximately every 8 seconds, I shot a frame. One sees a table with a vase full of gladiolas. The flowers slowly wither. Three goldfish are observed in their aquarium. A candle is replaced as it burns down, and the differing speed with which each candle burns becomes visible. A small television runs non-stop, set on the German Channel 1. There‘s a chair on the left where I sometimes sit to eat or read. A clock hangs on the wall, as does a calendar. When the sun shines, the window casts a shadow that meanders along the wall. At night, one sees the reflection of the candle in the static on the television screen. The rhythm of time is interrupted each time I put a new roll of film into the camera, sometimes causing the clock to appear to move backwards. Twice reality is captured in “real time”: when a fish is fatally ill, and once to capture the entire setting." —Milena Gierke
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  • title:Time (one week)
  • status:Released
  • Release date: 1991
  • Runtime:10m
  • Genres:
  • Countries of origin:
  • Original Language: No Language ·
  • Director: Milena Gierke /
  • Writers:
  • Production companies:
  • Overview:"One week captured in time-lapse. Approximately every 8 seconds, I shot a frame. One sees a table with a vase full of gladiolas. The flowers slowly wither. Three goldfish are observed in their aquarium. A candle is replaced as it burns down, and the differing speed with which each candle burns becomes visible. A small television runs non-stop, set on the German Channel 1. There‘s a chair on the left where I sometimes sit to eat or read. A clock hangs on the wall, as does a calendar. When the sun shines, the window casts a shadow that meanders along the wall. At night, one sees the reflection of the candle in the static on the television screen. The rhythm of time is interrupted each time I put a new roll of film into the camera, sometimes causing the clock to appear to move backwards. Twice reality is captured in “real time”: when a fish is fatally ill, and once to capture the entire setting." —Milena Gierke
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