Die Fledermaus

Die Fledermaus

Release date : October 30, 1937
Runtime : 1h 43m
Countries of origin : Germany /
Original Language : German /
Production companies : Imagoton / Tobis Filmkunst /
October 30, 1937 1h 43m Germany German More
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Overview

The delightful Johann Strauss comic opera Die Fledermaus was mercilessly lampooned in this truly bizarre production. For starters, a framing device has been added: After appearing in 300 consecutive appearances of Fledermaus (which translates as The Bat) the lead tenor (Georg Alexander) imagines that he's seeing bats everywhere. Driven a bit over the edge by all this, he falls asleep and has a nightmare about the opera, with a group of non-singers cast in the leading roles. The original libretto about romantic assignations, political imprisonments and mistaken identity is burlesqued to the hilt: at one point, the hero finds out that his prison cell is surrounded by rubber tubes!
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Top Billed Cast

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Lída Baarová
Maria Weigel / Rosalinde
Hans Söhnker
Kammersänger Hans Weigel / Eisenstein
Friedl Czepa
Hanni / Adele
Jola Jobst
Berta / Ida
Georg Alexander
Staatsanwalt Wentin / Frank
Robert Dorsay
Chauffeur Franz / Alfred
Hans Moser
Hans Moser
Harald Paulsen
Rechtsanwalt Dr. Rommel / Dr.Falke
Karl Stepanek
Attaché Baranoff / Orlovsky
Hans Stiebner
Kapellmeister
Otto Graf
Rundfunkreporter
Albert Ihle
Präsident
Erwin Werner
Bühnenarbeiter

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  • title:Die Fledermaus
  • status:Released
  • Release date: 1937
  • Runtime:1h 43m
  • Genres:
  • Countries of origin: Germany ·
  • Original Language: German ·
  • Director: Paul Verhoeven / Hans H. Zerlett /
  • Writers: Walter Wassermann · Carl Haffner · Lotte Neumann · Richard Genée ·
  • Production companies: Imagoton · Tobis Filmkunst ·
  • Overview:The delightful Johann Strauss comic opera Die Fledermaus was mercilessly lampooned in this truly bizarre production. For starters, a framing device has been added: After appearing in 300 consecutive appearances of Fledermaus (which translates as The Bat) the lead tenor (Georg Alexander) imagines that he's seeing bats everywhere. Driven a bit over the edge by all this, he falls asleep and has a nightmare about the opera, with a group of non-singers cast in the leading roles. The original libretto about romantic assignations, political imprisonments and mistaken identity is burlesqued to the hilt: at one point, the hero finds out that his prison cell is surrounded by rubber tubes!
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