The Carnivals of Life — An Introduction to the Festivals of the Yiche People

The Carnivals of Life — An Introduction to the Festivals of the Yiche People

Release date : August 16, 1986
Runtime : 40m
Countries of origin : China /
Original Language : Mandarin /
Director : Hao Yuejun /
Writers :
Production companies : Yunnan Provincial Academy of Social Sciences /
August 16, 1986 40m China Documentary Mandarin More
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This early Chinese ethnographic film documents festivals of the Yiche people of the Hani ethnic group -- their folklore and cultural phenomena, such as reproductive worship dance; their collective socializing on festival nights and marriage customs; and the "haruzhe," which has both characteristics of blood sacrifice and prayer, a ritual to offering for a good harvest. The directorial debut of documentarian Hao Yuejun, the film uses the language of documentary but with a specifically ethnographic focus on history and customs, and is recognized as an important historical work in its own right for 'restarting' ethnographic filmmaking after the end of the Cultural Revolution; in fact, this particular method of had never been used in China before.
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  • title:The Carnivals of Life — An Introduction to the Festivals of the Yiche People
  • status:Released
  • Release date: 1986
  • Runtime:40m
  • Genres: Documentary ·
  • Countries of origin: China ·
  • Original Language: Mandarin ·
  • Director: Hao Yuejun /
  • Writers:
  • Production companies: Yunnan Provincial Academy of Social Sciences ·
  • Overview:This early Chinese ethnographic film documents festivals of the Yiche people of the Hani ethnic group -- their folklore and cultural phenomena, such as reproductive worship dance; their collective socializing on festival nights and marriage customs; and the "haruzhe," which has both characteristics of blood sacrifice and prayer, a ritual to offering for a good harvest. The directorial debut of documentarian Hao Yuejun, the film uses the language of documentary but with a specifically ethnographic focus on history and customs, and is recognized as an important historical work in its own right for 'restarting' ethnographic filmmaking after the end of the Cultural Revolution; in fact, this particular method of had never been used in China before.
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