PEP (Process of Entanglement Procedure)

PEP (Process of Entanglement Procedure)

Release date : June 15, 2019
Runtime : 15m
Countries of origin :
Original Language : English /
Director : Jordan Strafer /
Writers : Jordan Strafer /
Production companies :
June 15, 2019 15m English More
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Jordan Strafer's PEP (Process Entanglement Procedure) was exhibited at SculptureCenter as part of In Practice: Total Disbelief (2020). Strafer’s PEP (Process Entanglement Procedure) is, among other things, a video about betrayal, the public nature of victimhood, and behavioral conditioning. Its narrative spreads across at least two related timelines. In the present, the video opens onto a witness testimony at a public hearing acted out by a plastic doll in glamorous closeups. Meanwhile, sequences shot to give a handheld, first-person perspective read as composed flashbacks of events described in the hearing. Notably, these sequences include the speaker’s compulsory attendance at a makeshift behavioral bootcamp in the woods at the behest of her two fathers, who later appear as villains in realistic rubber masks. (SculptureCenter)
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  • title:PEP (Process of Entanglement Procedure)
  • status:Released
  • Release date: 2019
  • Runtime:15m
  • Genres:
  • Countries of origin:
  • Original Language: English ·
  • Director: Jordan Strafer /
  • Writers: Jordan Strafer ·
  • Production companies:
  • Overview:Jordan Strafer's PEP (Process Entanglement Procedure) was exhibited at SculptureCenter as part of In Practice: Total Disbelief (2020). Strafer’s PEP (Process Entanglement Procedure) is, among other things, a video about betrayal, the public nature of victimhood, and behavioral conditioning. Its narrative spreads across at least two related timelines. In the present, the video opens onto a witness testimony at a public hearing acted out by a plastic doll in glamorous closeups. Meanwhile, sequences shot to give a handheld, first-person perspective read as composed flashbacks of events described in the hearing. Notably, these sequences include the speaker’s compulsory attendance at a makeshift behavioral bootcamp in the woods at the behest of her two fathers, who later appear as villains in realistic rubber masks. (SculptureCenter)
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