Why Havel?

Why Havel?

Release date : October 1, 1991
Runtime : 1h 36m
Countries of origin :
Original Language : Czech /
Director : Vojtěch Jasný /
Writers : Vojtěch Jasný /
Production companies :
October 1, 1991 1h 36m Documentary Czech More
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The first part of the block will be dedicated to the monograph Vojtěch Jasný: The Film Poet in Exile (2020) authored by the film historian Jiří Voráč. The monograph is centered on the legendary director’s life and career after his emigration to Western Europe and to the US after 1968, which have so far received little attention. In exile, Jasný established himself as a film director (he authored over thirty cinema and TV films and documentaries), stage director, photographer, and film studies lecturer. The first part will be followed by the screening of Jasný’s documentary Why Havel? co-produced by himself and Miloš Forman in Canada and Czechoslovakia in 1991. As remarkable as this reflection of the paradoxical transformation of a dissident into a president in the carnival-like atmosphere of the euphoric post-revolution period with the first question marks already appearing may be, it did not meet the expectations of the head of state.
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  • title:Why Havel?
  • status:Released
  • Release date: 1991
  • Runtime:1h 36m
  • Genres: Documentary ·
  • Countries of origin:
  • Original Language: Czech ·
  • Director: Vojtěch Jasný /
  • Writers: Vojtěch Jasný ·
  • Production companies:
  • Overview:The first part of the block will be dedicated to the monograph Vojtěch Jasný: The Film Poet in Exile (2020) authored by the film historian Jiří Voráč. The monograph is centered on the legendary director’s life and career after his emigration to Western Europe and to the US after 1968, which have so far received little attention. In exile, Jasný established himself as a film director (he authored over thirty cinema and TV films and documentaries), stage director, photographer, and film studies lecturer. The first part will be followed by the screening of Jasný’s documentary Why Havel? co-produced by himself and Miloš Forman in Canada and Czechoslovakia in 1991. As remarkable as this reflection of the paradoxical transformation of a dissident into a president in the carnival-like atmosphere of the euphoric post-revolution period with the first question marks already appearing may be, it did not meet the expectations of the head of state.
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