Il Barbiere di Siviglia

Il Barbiere di Siviglia

Release date : December 1, 1988
Runtime : 2h 39m
Countries of origin : Germany /
Original Language : Italian /
Director : Claus Viller / Michael Hampe /
Production companies : Schwetzingen Festival / Süddeutscher Rundfunk / EuroArts /
December 1, 1988 2h 39m Germany Comedy Italian More
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Overview

Live performance from Schwetzinger Festspiele, 1988. What sets this IL BARBIERE DI SIVIGLIA apart from all others available is its elegant realism. None of its visuals are the least bit cartoonish or blatantly designed for comedy. Dr. Bartolo’s house is a stark, stern-looking structure of plastered brick with a comfortable yet plain, white-curtained interior, while the costumes are highly realistic 18th century garb in subdued colors. Yet despite its fairly austere appearance the production is delightful, thanks to its performers and staging. The stage business is lively, witty and free of excessive slapstick, and every singer brings his or her character to life, all offering rich, vibrant characterizations that strike a perfect balance between comedy and humanity.
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Gino Quilico
Figaro, a barber
David Kuebler
Count Almaviva, alias Lindoro
Carlos Feller
Doctor Bartolo
Robert Lloyd
Don Basilio
Klaus Bruch
Fiorello
Paul Keppeler
Ambrogio
Eberhard Katz
Sergeant
Gabriele Ferro
Conductor

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  • title:Il Barbiere di Siviglia
  • status:Released
  • Release date: 1988
  • Runtime:2h 39m
  • Genres: Comedy · Music ·
  • Countries of origin: Germany ·
  • Original Language: Italian ·
  • Director: Claus Viller / Michael Hampe /
  • Writers: Cesare Sterbini · Pierre-Augustin Caron de Beaumarchais ·
  • Production companies: Schwetzingen Festival · Süddeutscher Rundfunk · EuroArts ·
  • Overview:Live performance from Schwetzinger Festspiele, 1988. What sets this IL BARBIERE DI SIVIGLIA apart from all others available is its elegant realism. None of its visuals are the least bit cartoonish or blatantly designed for comedy. Dr. Bartolo’s house is a stark, stern-looking structure of plastered brick with a comfortable yet plain, white-curtained interior, while the costumes are highly realistic 18th century garb in subdued colors. Yet despite its fairly austere appearance the production is delightful, thanks to its performers and staging. The stage business is lively, witty and free of excessive slapstick, and every singer brings his or her character to life, all offering rich, vibrant characterizations that strike a perfect balance between comedy and humanity.
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