Ten Thousand Li Ahead

Ten Thousand Li Ahead

Release date : January 1, 1941
Runtime : 1h 43m
Countries of origin : Hong Kong /
Original Language : Mandarin /
Director : Chusheng Cai /
Writers : Chusheng Cai /
Production companies : Xinsheng Production Company /
January 1, 1941 1h 43m Hong Kong Drama Mandarin More
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Overview

Driver Ko Wah (Lee Ching) refuses to transport ammunitions for the enemy, and is sent to jail after a scuffle with his traitorous boss. Although down and out, Ko takes in Siu-fung (Yung Siu-yi), an unwilling erotic dancer who has fled the war to Hong Kong. They may lead destitute lives, but their conscience remains intact. Director Cai Chusheng co-founded the National Salvation Association of Cinema. When Ko makes a uproar at the dance parlour and rips apart his friend's zombie costume, it represents Cai's criticism on the muddling-along attitude of Hong Kong society at the time. The characters' decision to return to the mainland to join the resistance effort also foretells Cai's decision to do the same in real-life.
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Lee Ching
Lao Gao
Yung Siu-Yi
Hsiao Feng / Prostitute
Jingbo Li
Hsiao Chang
Zhao Yishan
Great director
Yung Yung
Ah Chai
To Sam-Ku
Mother-in-law
Noh Chiu
Bully
Tai Hau-Ho
Rent mother
Yung Yuk-Yi
Modern Miss
Yim Sek
Big brother Liu
Wan Man
Bazar hawker
Wong Fei
Policeman
Zhang Gang
Worker

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  • title:Ten Thousand Li Ahead
  • status:Released
  • Release date: 1941
  • Runtime:1h 43m
  • Genres: Drama · War ·
  • Countries of origin: Hong Kong ·
  • Original Language: Mandarin ·
  • Director: Chusheng Cai /
  • Writers: Chusheng Cai ·
  • Production companies: Xinsheng Production Company ·
  • Overview:Driver Ko Wah (Lee Ching) refuses to transport ammunitions for the enemy, and is sent to jail after a scuffle with his traitorous boss. Although down and out, Ko takes in Siu-fung (Yung Siu-yi), an unwilling erotic dancer who has fled the war to Hong Kong. They may lead destitute lives, but their conscience remains intact. Director Cai Chusheng co-founded the National Salvation Association of Cinema. When Ko makes a uproar at the dance parlour and rips apart his friend's zombie costume, it represents Cai's criticism on the muddling-along attitude of Hong Kong society at the time. The characters' decision to return to the mainland to join the resistance effort also foretells Cai's decision to do the same in real-life.
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