Split Decision

Split Decision

Release date : January 1, 1979
Runtime : 15m
Countries of origin : United States of America /
Original Language : English /
Director : Bill Brand /
Writers :
Production companies : New York State Council on the Arts / Millennium Film Workshop / The Committee on Visual Arts /
January 1, 1979 15m United States of America Drama English More
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Overview

This film is a scrambled narrative that illustrates, in soap opera fashion, life of artists in Lower Manhattan and at the same time dramatizes questions about the nature of filmic representation. Split decision is a boxing term used when the judges divide their votes in finding a winner. In this case the fight is between the two heroes of the film who are seen intermittently in a bar, negotiating a pick-up, and at home, breaking up in a domestic quarrel. The fight is also in the telling, between modes of conventional representation and modes of radical representation - between conventional continuity editing, and abstraction created through computer generated grids. The film features an appearance by Carolee Schneemann and digital imaging from before the era of personal computers.
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  • title:Split Decision
  • status:Released
  • Release date: 1979
  • Runtime:15m
  • Genres: Drama · Animation ·
  • Countries of origin: United States of America ·
  • Original Language: English ·
  • Director: Bill Brand /
  • Writers:
  • Production companies: New York State Council on the Arts · Millennium Film Workshop · The Committee on Visual Arts ·
  • Overview:This film is a scrambled narrative that illustrates, in soap opera fashion, life of artists in Lower Manhattan and at the same time dramatizes questions about the nature of filmic representation. Split decision is a boxing term used when the judges divide their votes in finding a winner. In this case the fight is between the two heroes of the film who are seen intermittently in a bar, negotiating a pick-up, and at home, breaking up in a domestic quarrel. The fight is also in the telling, between modes of conventional representation and modes of radical representation - between conventional continuity editing, and abstraction created through computer generated grids. The film features an appearance by Carolee Schneemann and digital imaging from before the era of personal computers.
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