Rouzbeh Rashidi

Rouzbeh Rashidi

Known For:Directing
Gender:Male
Birthday:1980-12-23
Place of Birth:Tehran, Iran
Also Known As: روزبه رشیدی /
Known For: Directing Gender: Male Birthday: 1980-12-23 More

Biography

Rouzbeh Rashidi (Persian: روزبه رشیدی; born 23 December 1980, Tehran, Iran) is an Iranian-Irish avant-garde filmmaker and founder of Experimental Film Society. Since 2000, Rashidi produced experimental feature films and numerous volumes of instalments for the Homo Sapiens Project. His work is deeply engaged with film history and primarily concerned with mysticism, philosophy, esotericism, cosmology, phenomenology, and hauntology. The films are wildly experimental and often surrealist, magical realist, and mysterious, and have been associated with the Remodernist movement. Rashidi also generally designs the soundscapes that accompany his films. His decision to avoid dialogue in most films is a conscious link to early cinema, which is a frequent point of reference in his work and a reminder of his belief that cinema is always in the process of being invented and reinvented.
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  • name:Rouzbeh Rashidi
  • Known For:Directing
  • Gender:Male
  • Birthday:1980-12-23
  • Place of Birth:Tehran, Iran
  • Also Known As: روزبه رشیدی ·
  • Biography:Rouzbeh Rashidi (Persian: روزبه رشیدی; born 23 December 1980, Tehran, Iran) is an Iranian-Irish avant-garde filmmaker and founder of Experimental Film Society. Since 2000, Rashidi produced experimental feature films and numerous volumes of instalments for the Homo Sapiens Project. His work is deeply engaged with film history and primarily concerned with mysticism, philosophy, esotericism, cosmology, phenomenology, and hauntology. The films are wildly experimental and often surrealist, magical realist, and mysterious, and have been associated with the Remodernist movement. Rashidi also generally designs the soundscapes that accompany his films. His decision to avoid dialogue in most films is a conscious link to early cinema, which is a frequent point of reference in his work and a reminder of his belief that cinema is always in the process of being invented and reinvented.
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