Carl Maria von Weber

Carl Maria von Weber

Known For:Sound
Gender:Male
Birthday:1786-12-18
Place of Birth:Eutin, Schleswig-Holstein, Germany
Also Known As:
Known For: Sound Gender: Male Birthday: 1786-12-18 More

Biography

Carl Maria Friedrich Ernst von Weber was a German composer, conductor, pianist, guitarist and critic, and was one of the first significant composers of the Romantic school. Weber's operas Der Freischütz, Euryanthe, and Oberon greatly influenced the development of the Romantic opera in Germany. Der Freischütz came to be regarded as the first German "nationalist" opera, Euryanthe developed the Leitmotif technique to an unprecedented degree, while Oberon may have influenced Mendelssohn's music for A Midsummer Night's Dream and, at the same time, revealed Weber's lifelong interest in the music of non-Western cultures. This interest was first manifested in Weber's incidental music for Schiller's translation of Gozzi's Turandot, for which he used a Chinese melody, making him the first Western composer to use an Asian tune that was not of the pseudo-Turkish kind popularized by Mozart and others.
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  • name:Carl Maria von Weber
  • Known For:Sound
  • Gender:Male
  • Birthday:1786-12-18
  • Place of Birth:Eutin, Schleswig-Holstein, Germany
  • Also Known As:
  • Biography:Carl Maria Friedrich Ernst von Weber was a German composer, conductor, pianist, guitarist and critic, and was one of the first significant composers of the Romantic school. Weber's operas Der Freischütz, Euryanthe, and Oberon greatly influenced the development of the Romantic opera in Germany. Der Freischütz came to be regarded as the first German "nationalist" opera, Euryanthe developed the Leitmotif technique to an unprecedented degree, while Oberon may have influenced Mendelssohn's music for A Midsummer Night's Dream and, at the same time, revealed Weber's lifelong interest in the music of non-Western cultures. This interest was first manifested in Weber's incidental music for Schiller's translation of Gozzi's Turandot, for which he used a Chinese melody, making him the first Western composer to use an Asian tune that was not of the pseudo-Turkish kind popularized by Mozart and others.
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