Alexandre Alagôa

Alexandre Alagôa

Known For:Directing
Gender:Male
Birthday:1994-09-11
Place of Birth:Sesimbra, Portugal
Also Known As: Alagoa /
Known For: Directing Gender: Male Birthday: 1994-09-11 More

Biography

Alexandre Alagôa (1994) is an experimental filmmaker, multimedia artist and electronic music producer working between Lisbon and Luxembourg. Alagôa’s film and video work explores the mechanical, material and durational qualities of the audiovisual medium, and its immediate physical and kinetic impact on the viewer’s nervous system, often shattering the senses of vision and hearing into new sensible and obscure realms. Following a continuous research on conceptual art, the fluxus movement, and the structrural filmmaking approach, along with a constant curiosity on scientific issues on perception and psychology, Alagôa’s audiovisual pieces unfold into layered experiences often evoking optical illusions (such as the waterfall effect), studies on the physiology of the eye (such as phosphenes, after-images, purkinje trees and other entoptic phenomena) and synaesthetic sensations in order to destabilize, breakdown and (re)organize perceptual experience to its core elements, often inducing bodily and mental dispositions, at the same time leading the viewer to an awareness of their act of seeing and hearing.
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  • name:Alexandre Alagôa
  • Known For:Directing
  • Gender:Male
  • Birthday:1994-09-11
  • Place of Birth:Sesimbra, Portugal
  • Also Known As: Alagoa ·
  • Biography:Alexandre Alagôa (1994) is an experimental filmmaker, multimedia artist and electronic music producer working between Lisbon and Luxembourg. Alagôa’s film and video work explores the mechanical, material and durational qualities of the audiovisual medium, and its immediate physical and kinetic impact on the viewer’s nervous system, often shattering the senses of vision and hearing into new sensible and obscure realms. Following a continuous research on conceptual art, the fluxus movement, and the structrural filmmaking approach, along with a constant curiosity on scientific issues on perception and psychology, Alagôa’s audiovisual pieces unfold into layered experiences often evoking optical illusions (such as the waterfall effect), studies on the physiology of the eye (such as phosphenes, after-images, purkinje trees and other entoptic phenomena) and synaesthetic sensations in order to destabilize, breakdown and (re)organize perceptual experience to its core elements, often inducing bodily and mental dispositions, at the same time leading the viewer to an awareness of their act of seeing and hearing.
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