Ramiro Meneses

Ramiro Meneses

Known For:Acting
Gender:Male
Birthday:1970-06-09
Place of Birth:Medellin, Antioquia, Colombia
Also Known As:
Known For: Acting Gender: Male Birthday: 1970-06-09 More

Biography

Ramiro Meneses (Medellín Antioquia, June 9, 1970) is a Colombian actor, director and television producer. In 1990 he starred in the film Rodrigo D. No Futuro by Antioquian filmmaker Víctor Gaviria, where he played a dissatisfied young man who wanted to become a punk musician. In 1991 he had a prominent role in the telenovela Cuando quiero llorar no lloro playing Victorino Moya. In 1992 he acted in the comedy series Vuelo secreto and in the telenovela En cuerpo ajeno. From that moment on his acting career took a strong impulse, appearing in numerous film and television productions in Colombia and other countries. His filmography includes productions such as Golpe de estadio (1998), Perder es cuestión de método (2004) and Punto y raya (2005).
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Acting

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La patasola
Thriller Horror
Mephisto
Thriller Drama Fantasy
Perros
Crime Drama
Griselda Blanco: The Black Widow
Action & Adventure Drama Crime
Ojo por Ojo
Mystery Soap
Kalibre 35
Thriller Crime
Time Out
Comedy War
Rodrigo D. No Future
Crime Drama Music
  • name:Ramiro Meneses
  • Known For:Acting
  • Gender:Male
  • Birthday:1970-06-09
  • Place of Birth:Medellin, Antioquia, Colombia
  • Also Known As:
  • Biography:Ramiro Meneses (Medellín Antioquia, June 9, 1970) is a Colombian actor, director and television producer. In 1990 he starred in the film Rodrigo D. No Futuro by Antioquian filmmaker Víctor Gaviria, where he played a dissatisfied young man who wanted to become a punk musician. In 1991 he had a prominent role in the telenovela Cuando quiero llorar no lloro playing Victorino Moya. In 1992 he acted in the comedy series Vuelo secreto and in the telenovela En cuerpo ajeno. From that moment on his acting career took a strong impulse, appearing in numerous film and television productions in Colombia and other countries. His filmography includes productions such as Golpe de estadio (1998), Perder es cuestión de método (2004) and Punto y raya (2005).
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