The hands that create in Tiempo de Tintas are those of Emilio Garófalo, illustrator, sculptor and craftsman who gives life to his illustrations, turning them into objects with a recycled soul. Emi takes us to see his workshop, his tools and the importance of looking twice while walking; any discarded item could become a new character.

The hands that create these universes are those of Guillermo Meza, a graphic designer and illustrator who combines humor with the collective imagination of popular culture. In this chapter, Guille immerses us in the diversity of his techniques, the murals and the importance of error when facing any idea.

The hands that create in Elhecho are those of Yamila Páez, a visual artist, specialized in engraving and printed art. In this chapter, Yam shows us the magic that circulates in this space, the importance of generating community and all the branches of engraving that are freely practiced here.

The hands that create in Anda Calma belong to Fernanda Colucci, a ceramist who pours her creativity into unique pieces made on a pottery wheel with handmade clay. In this chapter, Fer, always with his Cimbrón dog, tells us about the importance of the wheel, the manual finishing of ceramic objects and the courses that are taught in his beautiful workshop.

The hands that create in Jardín Estampas belong to Eugenia Zoia, a clothing designer who, inspired by the work of native cultures and the idea of creating in communion with nature, decided to make sustainable garments throughout its production process. In this chapter Euge tells us about natural dyes, recycled raw materials and a completely handmade clothing production.

The hands that create in Rupe are from Matías Moreu, a handpoke tattoo artist, a technique that rescues the original tradition of this art applied to the body. In this chapter, Mati tells us about the paths that led him to create Rupe, his most beloved work, and how he carries out the workshop with which he transmits this knowledge.